The doosra
gaana on the soundtrack of Doosara Aadmi was as melodious as the pehla.
It was titled Chal Kahin Door Nikal Jaayen, and was the only contribution of Mohammed Rafi to the soundtrack of the film.
He was joined behind the microphone by Lata Mangeshkar and Kishore Kumar.
Apart from the songs that I’ve written about in the previous post and this one, they rendered another track in the film. It was titled Aao Manayein Jashn-E-Mohabbat.
There’s no two ways about the fact that the Rajesh Roshan composition, which Majrooh Sultanpuri penned, was superb.
It was titled Chal Kahin Door Nikal Jaayen, and was the only contribution of Mohammed Rafi to the soundtrack of the film.
He was joined behind the microphone by Lata Mangeshkar and Kishore Kumar.
Apart from the songs that I’ve written about in the previous post and this one, they rendered another track in the film. It was titled Aao Manayein Jashn-E-Mohabbat.
There’s no two ways about the fact that the Rajesh Roshan composition, which Majrooh Sultanpuri penned, was superb.
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