As the saying
goes, “Absence makes the heart grow fonder”.
That was precisely the premise on which Gulshan Bawra based Tumse Door Rehke.
It was the only song from Adalat (1976) on this blog.
The next two lines of the track – rendered by Lata Mangeshkar and Mohammed Rafi – went, “Humne jaane pyaar kya hai, dil na maana yaar kya hai” (which could be translated to, “After staying away from you, I understood what love is; the heart has realised the importance of the beloved”).
It was composed by Kalyanji Virji Shah and Anandji Virji Shah.
That was precisely the premise on which Gulshan Bawra based Tumse Door Rehke.
It was the only song from Adalat (1976) on this blog.
The next two lines of the track – rendered by Lata Mangeshkar and Mohammed Rafi – went, “Humne jaane pyaar kya hai, dil na maana yaar kya hai” (which could be translated to, “After staying away from you, I understood what love is; the heart has realised the importance of the beloved”).
It was composed by Kalyanji Virji Shah and Anandji Virji Shah.
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