It was with good
reason that Manmohan Desai, the legendary filmmaker, called Mohammed Rafi Khuda
ki awaaz.
There’s no two ways about the fact that his renditions of devotional songs were unparalleled – be it Shirdi Wale Sai Baba from Desai’s Amar Akbar Anthony (1977) or O Sheronwali, from the same director’s Suhaag (which is the subject of this post).
He was joined behind the microphone by the one and only Asha Bhosle.
Anand Bakshi penned the song, which was half-a-dozen minutes and a dozen seconds long.
Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma penned it.
There’s no two ways about the fact that his renditions of devotional songs were unparalleled – be it Shirdi Wale Sai Baba from Desai’s Amar Akbar Anthony (1977) or O Sheronwali, from the same director’s Suhaag (which is the subject of this post).
He was joined behind the microphone by the one and only Asha Bhosle.
Anand Bakshi penned the song, which was half-a-dozen minutes and a dozen seconds long.
Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma penned it.
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